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A fantastic big screen sensory experience that unfortunately has a plot built entirely from nonsensical technophilosphy wank

Disney may be looking for a merchandising bonanza with this long-gestating sequel to the groundbreaking 1982 film, but someone in the corporate offices forgot to add any human interest to its action-heavy script.

The cowboys: great. The aliens: not so much. There's fun to be had here, but it falls way short of the pulp classic it could have been.

I can't think of another premise this year that promised so many schlocky high concept thrills but delivered so little.

[A] largely uninspired identity-switch comedy.

Flee, flee from all of it.

Propelled by an eccentric cast of characters and increasingly seamy locations, Fix dashes headlong through Los Angeles with a little charm and a lot of verve.

Ruspoli's empathy for the high-and-low personalities that make up our urban web -- personified in Leo's friend-to-everyone, destructive-to-himself charm -- infuses his amped-up travelogue.

Even with an actor of Crowe's skill, it's hard to believe the mild, thoughtful John would take to the mean streets of Pittsburgh for fake IDs, blast his way into drug houses and such.

Solid performances, beautiful camerawork. It just would've been nice if they'd included some more twists and turns in the otherwise decent script